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The performance is everything.

Much Ado About Nothing was like being given a surprise invite to a lavish summer party in Tuscany; this feels more akin to being trapped in a 'back to nature' weekend theatre workshop where the actors are having a lot more fun than you.

Simply put, I don't know what it's trying to do, and I don't know if it does either.

Authenticity is well matched by the performances

The high concept - that the thoughts of everyone on the dystopian New World appear as a cloud of "noise" about their head - does, ironically, take some getting your head around.

While the film's more nostalgic elements are likely to help to keep adults on board it is also invigorated, not only by Goodhill's unorthodox approach to the works but also by the diverse casting.

The action scenes in general are well put together, and good use is made of the potential for things to go wrong in space without resorting to too many familiar devices.

The film explores the logging and thinning techniques which have been used in the past to try to create fire breaks – areas which the flames cannot cross – but these are not as effective as you might think.

Not many films are as important to the future of humanity as Interstellar.

Make no mistake: despite the big cast, this is the sort of thriller you can safely snooze through on a plane, connecting with ease the dots between the clichéd fights and chases.

It is a brave film that portrays Idi Amin not simply as a monster, but as a complex individual.

Everything that is wrong with the contemporary US indie movie is here.

This is what cinema does best - showing us technicolor worlds that make us see and appreciate the black and white home.

2014's best film of the year.

If charm lubricates every working part of this delightful film, it is Mma Ramotswe’s character that fuels it.

The references are messy, the gestures grand.

The worthiness of Lucas' vision and the respect the project has are outweighed by one simple, inescapable fact: Red Tails is boring.

In short, this is a great summer movie, spectacular in its realisation, yet resonant in its themes.

There are long stretches when nothing much happens

The tensions are taut and the feelings genuine